(And how to double up modulators for grimier sounds.) How to use raw modulation with a steady sine wave for a steady bass.(Forgetting this means chaos and mayhem for your patches!) The ONE critical factor that keep things running smoothly.(You can use the spectrum view to find these unique harmonics.) How to sharply cut a waveform to get a grubby, grimy sound.How to create intricate signal paths by routing oscillators back on themselves and each other!. ![]() ![]() (And quickly enable each of the six oscillators and different routing paths.) How to visualize the sound you want and plot it on the oscillator routing matrix.Remember, FM synthesis has both a carrier and modulator signal think of it as a very fast vibrato with a wide range of modulation wave forms. After you watch the intro video, pull up this lesson to learn how to create a classic stab bass.
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